I'm Not Myself at AllNotions of identity have long structured womens art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in womens art, however, is more identity the solution? In this study of nineteenth and early twentieth century art in Canada, Kristina Huneault