Melodrama and Meaning: History, Culture, and the Films of Douglas SirkMelodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema academia, the film industry, review journalism, star publicity, and the mass media create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both