The Masses Are RevoltingThe Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and