AutochthonomiesIn Autochthonomies, Myriam J. A. Chancy engages readers in an interpretive journey. She lays out a radical new process that invites readers to see creations by artists of African descent as legible within the context of African diasporic historical and cultural debates. By invoking a transnational African diasporic lens and negotiating it through a lakou or yard space, we can see such identities transfigured, recognized, and exchanged. Chancy