Jack Shadbolt and the Coastal Indian ImageJack Shadbolt was inspired in his formative years by his contact withEmily Carr and with her brooding works portraying the remnants ofIndian villages against the overwhelming wilderness. He made sketchesof Indian artefacts and the Cowichan Reserve in the 1930s, but it wasonly after World War II that elements of Indian art began to show up inhis style. Marjorie Halpin finds in the changes in the way Indian formsoccur in Shadbolts paintings an