John Baldessari – Hand and Chin (with Entwined Hands)John Baldessaris Hand and Chin (with Entwined Hands) (1991) is a compelling example of the artist's mature conceptual language, in which fragmented photographic imagery becomes a vehicle for examining perception, representation, and meaning. The composition presents disembodied hands and a chin isolated against a deep black ground, their surfaces selectively rendered in vivid, artificial color. By severing these gestures from the body, Baldessari