Death in WinterreiseLauri Suurp brings together two rigorous methodologies, Greimassian semiotics and Schenkerian analysis, to provide a unique perspective on the expressive power of Franz Schubert's song cycle. Focusing on the final songs, Suurp deftly combines textual and tonal analysis to reveal death as a symbolic presence if not actual character in the musical narrative. Suurp demonstrates the incongruities between semantic content and musical representation as it
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