Experimental BeijingDuring the lead up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post 1989 official response to contemporary art gave way to a new market driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su Ling Welland examines the interlocking power
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